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Cinematic Prompts

Cinematic video prompts built like film — staged light, an anamorphic feel and a camera that always has a reason to move.

LTX 2.340
Read the full prompt — Empty Stadium Red ScarfA lone man sits on the top concrete step of an empty stadium, seen from behind in a wide shot. He is in his thirties, with short natural black hair, broad shoulders in a charcoal wool coat, a red knitted scarf around his neck, hands resting on his knees. Below him rows of empty steel-grey seats curve down to a pale green pitch. The only movement is the end of the red scarf lifting and settling in a light wind. Early morning, cold diffused light from an overcast sky, no sun, soft shadows. Palette: steel-grey seats and sky, a red scarf, pale concrete steps. The camera stays still at a low angle behind and slightly below him, the whole stadium in focus. Matte concrete, painted metal seats, no other people, no birds. No text, no logos, no watermark, no signage, no background music.
LTX 2.360
Read the full prompt — Canyon Rim Push-InA wide sandstone canyon seen from just above its rim, the whole scene in focus: layered sandstone-red walls with smooth rounded ledges drop to a pale cream stone floor, under a cloudless sky-blue sky. High midday sun straight overhead lights the red walls evenly and casts short, crisp shadows under each ledge. Nothing in the scene moves: no animals, no people, no wind, no dust. The camera slowly pushes forward and glides over the canyon edge in one smooth, steady motion, so the far walls open wider as it advances and the depth of the canyon is revealed. Shot from a high angle, slightly tilted down toward the canyon floor, wide lens. Large simple forms, clean rock surfaces, a calm and vast feel. No text, no logos, no watermark.
Seedance 2.0180
Read the full prompt — Noir Man Draws A RevolverThere is no writing of any kind anywhere in this shot: no headline, no caption, no sign, no lettering and no logo appears at any point. In that frame, a film-noir scene. A man in his forties in a dark overcoat stands at a rain-soaked window at night, blurred city lights behind the glass, rain streaks throwing moving shadows across him. The man has a broad square face, full cheeks, a wide nose, warm dark brown eyes, thick dark eyebrows, a short dark beard and closely cropped greying hair; he is heavy-set with a thick neck. He is an ordinary anonymous person and looks like nobody famous. Do not depict any real person, actor, celebrity or public figure, and do not reproduce anyone's likeness. One hard warm lamp lights him from the side, the other half of his face in deep shadow, venetian-blind stripes of light falling across the wall behind him. His expression is calm, hard and determined: the jaw set, the eyes steady and focused, no sadness, no tears, no trembling. He decides something, turns his head, and reaches inside his overcoat; he draws out a revolver and lets it hang low at his side, the metal catching one cold highlight. He does not raise it, does not aim it at anybody, does not point it at the camera and never fires it — there is no shooting, no threat, no violence and no blood anywhere in the shot. He looks off past the lens with a steady stare, squares his shoulders, and holds still. The camera starts wide and pushes in very slowly, coming to rest on a tight shot of his resolute face as the last movement settles — the shot finishes on screen and nothing is cut off halfway through. Anamorphic lens, shallow depth of field, soft lens flares, heavy film grain, teal and amber grade, rich inky blacks, classic noir contrast. Plain unbranded clothing, no logos or lettering anywhere in the background. Do not depict any real brand or trademark. No dialogue, no subtitles. Remember: not a single readable character appears anywhere in the frame.
LTX 2.350
Read the full prompt — Baobab Dawn Light BeamsA lone baobab stands on a wide dry plain in early morning, its thick pale trunk and bare crooked branches dark against the sky. Low sun behind the tree breaks through a layer of thin haze, and straight beams of sunlight fan out between the branches and fall across the field. The haze is milky grey-white, the beams are pale golden, the dry grass is straw-tan, and the trunk is a warm grey-brown. Wide shot from a low angle close to the ground, the whole tree and the horizon in focus, a few grass stalks in the foreground. The grass sways gently in a light breeze from start to end, the beams stay steady. The camera stays still. Soft, quiet morning air, no people, no animals, no text, no logos, no watermark.
WAN 3.0210
Read the full prompt — Dracula Eats Marshmallow@Video1 controls motion, camera, composition, timing, and sound; keep all of it exactly: the dancer comes toward the handheld camera, takes out a plain white marshmallow, bites it and chews with a deadpan face staring straight into the lens, then turns away and dances off into the crowd. @Image1 controls the identity of the dancer: replace him in every frame with the person from @Image1, including face, hair, build, outfit. No trace of the original. @Image2 controls the people who follow and dance behind him: replace the guests behind him with the people from @Image2. @Image3 controls one onlooker in the crowd who squints suspiciously at the dancer; only one of him. If @Image2 or @Image3 is not provided, fill the crowd with people dressed to fit the location. If @Image4 is provided, it controls the location: replace the room, furniture, lights and floor to fit that place, and dress everyone in the background to match it. If @Image4 is not provided, keep the original environment. From @Video1 take only the motion and the camera; take none of its people, clothes, furniture, lights or floor. The marshmallow stays plain white and clearly visible. One continuous shot, no cuts, no subtitles, no text.
WAN 3.0180
Read the full prompt — Gladiator Streetball Dunk@Video1 controls motion, camera, composition, cuts, slow motion, timing, and sound; keep all of it exactly. @Image1 controls the identity of the scoring player (drives, dunks twice, celebrates to camera): replace the player in every shot with the person from @Image1, including face, hair, build, outfit. @Image2 controls the identity of the defender who gets dunked on: replace the defender in every shot, including the final one; if @Image2 is not provided, keep the original defender. No trace of the originals. If @Image3 is provided, it controls the location: replace the environment with that place. Rebuild court, hoops, background, crowd, lighting, and grading to fit it. If @Image3 is not provided, keep the original environment. In the final shot, the only player in frame is the already replaced defender (from @Image2, not the original), standing in the center with a hand covering the face. Remove the man behind; keep the crowd. Keep choreography, dunks, celebration.
Seedance 2.0150
Read the full prompt — Black Bottle In Gold Rim LightA bold white sans-serif headline stays burned across the top of the frame for the whole shot and reads exactly: Make product ads from one photo. Below it, a cinematic luxury product ad, slow motion throughout. A matte black frosted glass cosmetic bottle with a brushed gold cap stands on a wet dark stone slab against a deep charcoal background. The bottle is completely blank: no brand name, no label, no logo and no lettering anywhere on it. Do not depict any real brand, trademark or logo in the frame. Fresh water droplets bead on the glass. A soft key light from the left and a crisp golden rim light along the right edge. The camera drifts in a slow orbit, then pushes in for extreme macro on droplets rolling down the glass; thin smoke curls through the golden beam. A single droplet falls in slow motion and ripples on the wet stone. The camera pulls back to a clean centered final packshot of the bottle, whole and complete with clear space around it, and holds still on it for the last full second — the movement finishes on screen and nothing is cut off halfway through. No people, no dialogue, no subtitles. Premium commercial cinematography, rich blacks, glossy highlights, shallow depth of field. The headline at the top is the only text in the entire frame.

How to Write a Cinematic Video Prompt

A cinematic video prompt works like a shot description. Name the scene, the light and one camera move, then say what moves in the frame. Our prompts state the move with a duration, such as "Slow crane-down move over 5 seconds" or "Slow push-in over 5 seconds". A vague cinematic camera gives the model nothing to follow. Give the move a reason: it starts when something happens, like a head turn, and stops when the action ends.

Choose between a push-in and a zoom on purpose. A physical push-in shifts near and far objects at different speeds, so the space feels real, while a zoom enlarges everything flatly. Don't keep the subject dead-center for the whole shot. Let it enter, cross or leave the frame. Light it from sources in the scene, like "warm orange practical light", and add a lens cue such as "50mm lens look". For a locked frame, write "Camera is static on a tripod (no movement, no zoom)".

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